The painting in this posting is actually a close-up of a larger painting. The materials converged in this painting through strokes, and shoves, pressure points, pourings and scrapings. And when they'd all gathered together at just the right time, they seemed to unite and accelerate themselves into something I had to call "Launch". What you see in the close up, could be construed, I suppose as the launching pad.
People often ask me about the process by which the paintings take shape. And while there are some common aspects of the creative process, not every work follows the same pattern of creation.
I am greatly inspired by those accumulated materials in the studio. I 'take a shine' to something and think, "Maybe I'll start out with this." Objects usually need to be supported in some way. I can't just stick it onto the canvas and expect the canvas to embrace it like a stranger at a family picnic. So I begin building my surface in relationship to the object or materials I start with.
This is where I stop to notice how art teaches us about life. The basic preparation of events, meetings, meals, games, or social gatherings all need the same approach. We just don't realize that we are in the creative process, when we're planning our Fourth of July barbecue. In that case, we set up the patio table(s), trim the garden, pull out the big platters that live normally on that shelf that's too high to reach. We pull out our biggest and best flag and hang it proudly from our house, and maybe even buy red, white, and blue cups and napkins. We prepare the "place". Set the scene.
Recently I gave a webinar presentation regarding creativity in life and career building. One of my first points was to remind our participants that creativity is not something bequeathed to artists. Human beings have a creative instinct that is as keen as the fight or flight instinct. We are creating all the time. Every time you fix something that's broken instead of throwing it out, you are using your creative instinct. Start to pay attention. Check yourself. How many times in a day are you called on to solve a problem, find another way to do something, or figure out how to use a gadget, or substitute something for the usual tool.
Where artists have the advantage is this: we surrender more easily to not knowing. In fact, we love not knowing, because it means we can go on a creative hunting party. "I'll try this." "No, I'll try it this way." "Well, now I know two approaches that don't work, so I'll try this!" And the more we shove the elements around, the happier we get. We scowl. We bite our lower lip. We wipe our sweaty brow. We may even swear. But, damn, we're having a great time!
Many people think artists are the ones who know what to do with art materials, but the fact is, we're happiest when we don't know what we're doing. That's when every brush stroke yields a surprise. We watch the materials drip, holding our breath, involved in the suspenseful drama of art. And LIFE IS JUST LIKE THAT. If your life doesn't feel like that, either you're living a life of tedium, or you're not paying attention.
Here's a suggestion: why don't you go out and paint or sculpt, build or write your own launching pad!
Good luck!